“The Jazzmaster pickup has a unique tone that was heard on many mid- and late-’60s recordings,” Seymour says. They’re great for when you really need your guitar to sing. Thurston Moore, formerly of Sonic Youth, uses the Antiquity for Jazzmaster II pickups, which were inspired by one of Seymour W. Mascis of Dinosaur Jr is a fan of the Antiquity (and he’s been recording with our Vapor Trail analog delay pedal lately too). There are also Antiquity and Antiquity II versions of Jazzmaster pickups for 50s and fuller 60s takes on Jazzmaster tone. Jazzmaster pickups sense a much wider area of the string and this gives them more highs and mids than Jaguars but also more fullness for chords. There are three output levels for our standard series Jazzmaster pickups: pickups: the SJM-1 Vintage Jazzmaster, SJM-2 Hot Jazzmaster and SJM-3 Quarter Pound for Jazzmaster. These are a great option if you want to bring a modified vintage Jag back to original specs or if you just want more of that vintage mojo in a new instrument.Īny of these will also work quite nicely in a six-string bass like the Fender Bass VI or the Schecter Robert Smith UltraCure VI, which uses the SJAG-1 for that clear, sweet tone for moody melodies like in “Pictures Of You.” There are also Antiquity and Antiquity II models for aged reproductions of 50s and 60s Jaguar pickups. Options include the Vintage Jaguar SJAG-1 for authentic vintage tone, the Hot Jaguar SJAG-2 for something with a little more grit (and a great bridge position match for an SJAG-1 neck) and the Quarter Pound Jaguar SJAG-3 for much more output. If you play a Jaguar there are plenty of pickups for you at different output levels. Jaguars tend to have a voice somewhere between organic and metallic, with great attack and note separation, aided by the ‘claw’ surround which focuses the magnetic field, and their 25″ scale length gives them a slightly looser feel than a Stratocaster.
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